Download PDF , by Myrl A. Schreibman
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, by Myrl A. Schreibman
Download PDF , by Myrl A. Schreibman
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Product details
File Size: 6094 KB
Print Length: 290 pages
Publisher: Watson-Guptill (February 8, 2012)
Publication Date: February 8, 2012
Sold by: Random House LLC
Language: English
ASIN: B00735HB8E
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Amazon Best Sellers Rank:
#1,008,619 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
The Indie Producers Handbook is a must have in your library. It really gets into the technical aspects like spreadsheets etc. If you don't think you need math to be a producer then go home. I opted for the kindle edition and am ordering the paperback too.
very helpful
A terrific and easy read. As a screenwriter, it's like reading the other team's playbook. Tons of great information. Highly recommend for anyone in the industry that wants to know more.
Gift that was requested.
good to have
Perfectly combs over all aspects of filmmaking. The book even provides references to other cites or books for further exploration on less discussed topics.There are also very helpful contract templates in the back of the book that are immensely useful.
Very readable and extremely helpful although it is a bit dated now.
I recently finished producing my own independent film and found this book right at the beginning of my post-production period.I wish I had found it earlier. It is full of no-nonsense advice and information that is practically bullet-proof, and I ended up agreeing with about all of it. Schreibman, who apparently has a long history of producing films for t.v. and theatrical market, has paid his dues, done his homework, and knows another "feel-good" you-can-do-it book isn't necessary.He tells you like it is, doesn't pull any punches, and helps you avoid the most common mistakes, both legally and aesthetically. Writing and directing are generally the more "arty" positions in film production - the Producer is supposed to keep the ship moving forward and avoiding any fatal mistakes. This book directs you in the right direction.My film was a "micro-budget" film, and this book may ultimately be more useful for "larger" independent features, including ones with SAG deals, distribution in place, and budgets closer to 7 figures. While all the advice here applies to everyone making a movie, it's the attitude Myrl conveys that I really appreciated and believed in, more than some of his nuts-and-bolts info. The contract samples at the end were also very helpful when I went out and began looking for more help finding money to finish my film (which I eventually did).Now I'm dreaming of using the rest of the info here for my next film!
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